Sex Love Aur Dhokha. When you have a title like that, there is no obligation to be curious. And when Dibakar Banerjee - with an impeccable record so far - is at the helm, interest levels go higher.
The promotions have been interesting, there was much talk about the movie and the song title is this year "Emosanal Atyaachaar. What all these things lead to, basically, is a reasonable expectation. Aur Is Sex Love Dhokha, or its acronym LSD smart, know their potential?
Before answering this it is necessary to know why LSD is an important film - it is raw, real and brutally unflinching in its portrayal of "Young Spain", but breaks the formula in more than one : The art of shooting is new to the standards of India (recently seen in paranormal activity) and the script is episodic, with each story (Urmi Juvekar) was inspired by what one might call "one of newspapers.
click here to download songs
LSD Title Track Kailash Kher
Tainu TV Per Wekhya Kailash Kher
I Can't Hold It Sneha Khanwalkar
Mohabbat Bollywood Style Nihira Dale & Amey Walker
LSD Remix Nagarjun
Tu Gandi Kailash Kher
Na Batati Tu - Bonus Kailash Kher
Tauba Tauba - Bonus Kailash Kher
LSD Title Track Kailash Kher
In the first story, a film student, Rahul (JHA), the film's title is a kind of homage to his idol Aditya Chopra's Dilwale Dulhania Le Jayenge, falls in love with the protagonist of his film, Shruti. Their love story wrapped in DDLJ Typically, a tyrant father included.
The lovers, the true filmi style, marrying in a temple in the hope that parents accept Shruti once hung. But cruel fate, as a dhokha, awaits them.
In the second chapter, a young man, Adarsh (Yadav), in desperate need of money that simulates an affair with a salesgirl, Rashmi (Charles), a purchase in store. He has a plan - to seduce the girl and filming sex scenes with both, and then sell to make money quickly.
Ultimately, a journalist Prabhat (SIAL) will relaunch his career to perform an operation on a local pop star Loki (Tangri), attracting sexual favors models with the dream of launching their music videos. But things go badly for Prabhat way through a poll.
The three stories have a common denominator: not only that they all have a little love, sex and an element of dhokha in them, but also ensure that the three captured in the rooms, even when the characters do not always know it.
In the first story, Rahul turning its interaction with Shruti in his camera, in the second, the magnifying glass in the shop to capture the actions, and the third is the cup camera do the work.
Banerjee weaves three stories inspired by life in their efforts to entertain and shock and make a broader point about the voyeuristic nature of our society, all at once. LSD is taut, provocative and honest. And for that, congratulations for the filmmaker is in order.
Unfortunately, the film is not without problems. It lacks the humor - or at least effective humor - which has been the driving force of the previous national award winning films two Banerjee, Khosla Ka Ghosla and Oye Lucky.
The camera, which is an integral part of writing, it makes sense in places that should not be. Why do people - or a budding filmmaker or journalist Sting - keep their cameras on most of the time, even when not connected to his work is difficult to understand.
Writing is also contrary. The tribute to Chopra and his movies is a big hole. The title of the film is shot as a parody, which could be very entertaining, but it has been executed much better on MTV shows.
The first story unfolds like a love story - something we've seen in countless movies, the only novelty is the style of shooting. You wonder where it will end.
The second story is more interesting. Moments between Adarsh and Rashmi are very real and credible case. The third floor is more fun. But I really feel like LSD to cope in a faster pace.
Even with a runtime that is shorter than two hours, LSD dragging. Once the novelty of watching the movie the secret rooms clears, we realize that there is still much to fertilize in a compelling story or the clever writing.
Experimentation for the sake of it does not always work. Fortunately for LSD, despite its shortcomings, can not but commend the effort of Banerjee and his team to offer something "different". The director is a worthy follow-up of his first two successes.
The cast deserves praise, with all the actors fit their roles perfectly. Report of one of them would not make sense, with each entry in the trust, the natural spectacles. The title of the song are included at the end does not miss.
LSD is the young "cool" who love the film and its true nature has been taken by some. The more demanding, however, may be disappointed.
But love or hate, love sex Aur Dhokha is a film that can not be ignored.
The promotions have been interesting, there was much talk about the movie and the song title is this year "Emosanal Atyaachaar. What all these things lead to, basically, is a reasonable expectation. Aur Is Sex Love Dhokha, or its acronym LSD smart, know their potential?
Before answering this it is necessary to know why LSD is an important film - it is raw, real and brutally unflinching in its portrayal of "Young Spain", but breaks the formula in more than one : The art of shooting is new to the standards of India (recently seen in paranormal activity) and the script is episodic, with each story (Urmi Juvekar) was inspired by what one might call "one of newspapers.
click here to download songs
LSD Title Track Kailash Kher
Tainu TV Per Wekhya Kailash Kher
I Can't Hold It Sneha Khanwalkar
Mohabbat Bollywood Style Nihira Dale & Amey Walker
LSD Remix Nagarjun
Tu Gandi Kailash Kher
Na Batati Tu - Bonus Kailash Kher
Tauba Tauba - Bonus Kailash Kher
LSD Title Track Kailash Kher
In the first story, a film student, Rahul (JHA), the film's title is a kind of homage to his idol Aditya Chopra's Dilwale Dulhania Le Jayenge, falls in love with the protagonist of his film, Shruti. Their love story wrapped in DDLJ Typically, a tyrant father included.
The lovers, the true filmi style, marrying in a temple in the hope that parents accept Shruti once hung. But cruel fate, as a dhokha, awaits them.
In the second chapter, a young man, Adarsh (Yadav), in desperate need of money that simulates an affair with a salesgirl, Rashmi (Charles), a purchase in store. He has a plan - to seduce the girl and filming sex scenes with both, and then sell to make money quickly.
Ultimately, a journalist Prabhat (SIAL) will relaunch his career to perform an operation on a local pop star Loki (Tangri), attracting sexual favors models with the dream of launching their music videos. But things go badly for Prabhat way through a poll.
The three stories have a common denominator: not only that they all have a little love, sex and an element of dhokha in them, but also ensure that the three captured in the rooms, even when the characters do not always know it.
In the first story, Rahul turning its interaction with Shruti in his camera, in the second, the magnifying glass in the shop to capture the actions, and the third is the cup camera do the work.
Banerjee weaves three stories inspired by life in their efforts to entertain and shock and make a broader point about the voyeuristic nature of our society, all at once. LSD is taut, provocative and honest. And for that, congratulations for the filmmaker is in order.
Unfortunately, the film is not without problems. It lacks the humor - or at least effective humor - which has been the driving force of the previous national award winning films two Banerjee, Khosla Ka Ghosla and Oye Lucky.
The camera, which is an integral part of writing, it makes sense in places that should not be. Why do people - or a budding filmmaker or journalist Sting - keep their cameras on most of the time, even when not connected to his work is difficult to understand.
Writing is also contrary. The tribute to Chopra and his movies is a big hole. The title of the film is shot as a parody, which could be very entertaining, but it has been executed much better on MTV shows.
The first story unfolds like a love story - something we've seen in countless movies, the only novelty is the style of shooting. You wonder where it will end.
The second story is more interesting. Moments between Adarsh and Rashmi are very real and credible case. The third floor is more fun. But I really feel like LSD to cope in a faster pace.
Even with a runtime that is shorter than two hours, LSD dragging. Once the novelty of watching the movie the secret rooms clears, we realize that there is still much to fertilize in a compelling story or the clever writing.
Experimentation for the sake of it does not always work. Fortunately for LSD, despite its shortcomings, can not but commend the effort of Banerjee and his team to offer something "different". The director is a worthy follow-up of his first two successes.
The cast deserves praise, with all the actors fit their roles perfectly. Report of one of them would not make sense, with each entry in the trust, the natural spectacles. The title of the song are included at the end does not miss.
LSD is the young "cool" who love the film and its true nature has been taken by some. The more demanding, however, may be disappointed.
But love or hate, love sex Aur Dhokha is a film that can not be ignored.
